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Across his 82 years, the Montreal-born Leonard Cohen was all of these things — and in his posthumous book of poetry, given the Lawrentian title The Flame by his son Adam, all sides of the man are present. And moreover, not demystifying it.

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To Cohen himself, though, it was never enough. Oddly, he made early forays into music as a teenager, forming a country-folk band with friends called the Buckskin Boys, but he mostly let music drop until the release of his debut at age Those first poems emerged from a close-knit group of Canadian versifiers reading stanzas to each other in cafes and flats, printing mimeographed copies.

But his sense of the art stretched back thousands of years and great writing would, he knew, outlive what he saw as his own meagre contributions. Cohen was an exacting reader of the verse of others. In , he sued his longtime business manager, a decade or so after she began taking his money.

Poems from the Heart: A Moving Collection by Bonnie Blanton - cygistnocdiskpos.tk

For his final publication, he left almost nothing to chance. Though Cohen came up during the beat era and admired Jack Kerouac and Allen Ginsberg, the cult of spontaneity never appealed to him. I find last thought, best thought. The first is a selection of 63 poems, some of which have been published before, going back several decades. Most of it is in rhyme and metre; at least half could be described as light verse. Cohen produced and wrote the lyrics.

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On the page, the poise and polish of these songs remain striking. A acceptance speech for a Spanish award serves as a brief coda.

There is also an email exchange with a friend; even his online correspondence seems to be in rhyme and metre. Included in various proportions are love, sex, death, regret, exaltation, piety and gentle fondness. The blending of the earthy with the spiritual — in his last years Cohen was as influenced by a Hindu teacher as much as the Buddhist guru he studied with on a California mountain — would give John Donne and Marvin Gaye a run for their money.

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Throughout the book are sketches by Cohen, mostly self-portraits, with a few, unsurprisingly, of musical instruments and topless women. Honour the things that make you feel good inside, the things that make you feel alive.

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Give time to those things this week. Make time the gift it is, by giving it to what really matters to you. Lourie of Butterflies and Pebbles. Fear is loud and bossy. She can be vicious at times. And the worst of it is that she often mingles truth with fiction. But you must learn to challenge the stories she feeds you.

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You get to be the boss of your thoughts. You can learn to question whether or not everything she tells you is truth, whole truth, and nothing but the truth. An amazing thing happens when you get honest with yourself and start doing what you love, what makes you happy.

You stop wishing for the weekend. You stop merely looking forward to special events.

You begin to live in each moment and you start feeling like a human being. You just ride the wave that is life, with this feeling of contentment and joy. You move fluidly, steadily, calm and grateful. A veil is lifted, and a whole new perspective is born. I am not for everyone. I know my truth, I know who I am, I know what I do and do not bring to the table.


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Do not ask your children to strive for extraordinary lives. Such striving may seem admirable, but it is the way of foolishness.

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Help them instead to find the wonder and the marvel of an ordinary life. Show them the joy of tasting tomatoes, apples and pears. Show them how to cry when pets and people die. Show them the infinite pleasure in the touch of a hand. And make the ordinary come alive for them.